Strymon turns vintage tape saturation into the all-analog La Brea drive pedal
The second Series A pedal blends multi-stage tape-style saturation with an in-phase dry path, switchable high-frequency contouring and enough gain to reach fuzz territory.
Sep 30, 2026

Credit: Strymon (via source)
Strymon has added La Brea to its analog Series A line, translating ideas first explored in the company’s Deco tape-saturation work into a fully analog drive pedal. Its multi-stage circuit runs internally at 24 volts and covers light breakup, compressed overdrive, distortion and fuzz-like textures without digital processing.
A variable dry path stays in phase with the saturated signal, letting players restore transient clarity or use the pedal as a clean boost. A three-position Shift control reshapes the upper frequencies, while a gain-range switch changes how far the Tape Sat control can travel. La Brea is available now for $199.
Credit: Strymon (via source)
Credit: Strymon (via source)
Why it matters
Tape saturation is usually modeled digitally or tied to studio hardware. La Brea packages Strymon’s tape-derived gain behavior into a compact analog stompbox with an unusually practical clean blend.
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