Guitar World Lesson Builds a Drop-D Bluegrass Piece Around Alternating Bass and Hybrid Picking
Richard Barrett’s new acoustic study links steady thumb-style bass, chordal double-stops and an unusual F6/9 voicing in a complete playable arrangement.
Oct 5, 2026

Credit: Future (via source)
Guitar World has published a new acoustic lesson by Richard Barrett built around an unaccompanied bluegrass and folk-blues study in drop D. The core task is keeping an alternating bass line even while adding chords and double-stops above it, with Barrett recommending pick-and-fingers hybrid technique, a thumbpick or fingerstyle according to the player’s sound and instrument.
The arrangement moves through D7, D5, G5, Em9 and an open-string F6/9 voicing whose third is omitted. Barrett also points out the bars where the bass pattern shifts, recommends separating bass notes from the upper voices during practice, and connects the sound to Crosby, Stills, Nash & Young, John Renbourn, Bert Jansch and Alison Krauss & Union Station.
Credit: Guitarist (via source)
Why it matters
This is a substantial, date-specific lesson with a complete musical goal rather than generic technique advice, and it gives acoustic players a practical bridge between bluegrass pulse and British folk harmony.
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